With today being the last day of Hispanic Heritage Month, I wanted to
take a moment to acknowledge some of the prominent Hispanic writers in
the fantasy genre who have helped to pave new roads in our genre and
open up more opportunities, perhaps, for writers like me. I made these posts two years ago on the writers' forum I participate on, Fantasy-writers.org, and I thought it would be nice to share them here. These features are just an image (when available) of the author and a bit about them from their Wikipedia page as well as some assistance from my friend, Nyki Blatchley, whose blog can be found by clicking his name.
Isabel Allende
A Chilean American writer whose works sometimes contain aspects of
the "magic realist" tradition, and is famous for novels such as The
House of the Spirits (La casa de los espíritus, 1982) and City of the
Beasts (La ciudad de las bestias, 2002), which have been commercially
successful. Allende has been called "the world's most widely read
Spanish-language author". In 2004, Allende was inducted into the
American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize.
Rudolfo Anaya
Rudolfo Anaya is a Mexican-American author. Best known for
his 1972 novel Bless Me, Ultima, Anaya is considered one of the founders
of the canon of contemporary Chicano literature.Anaya’s use of Spanish,
mystical depiction of the New Mexican landscape, use of cultural motifs
such as La Llorona, and recounting of curandera folkways
such as the gathering of medicinal herbs, gives readers a sense of the
influence of indigenous cultural ways that are both authentic and
distinct from the mainstream.
Leslie Marmon Silko
Leslie Marmon Silko is a Native American writer of the Laguna Pueblo
tribe, and one of the key figures in the First Wave of what literary
critic Kenneth Lincoln has called the Native American Renaissance.Silko
has noted herself as being 1/4 Laguna Pueblo (a Keres speaking tribe),
also identifying as Anglo American and Mexican American. One of her more successful books is the collection of poetry, short stories and photographs, Storyteller.
Jorge Luis Borges
Jorge Francisco Isidoro Luis Borges was an Argentine
short-story writer, essayist, poet and translator born in Buenos Aires.
His work embraces the "character of unreality in all literature". His
most famous books, Ficciones (1944) and The Aleph (1949), are
compilations of short stories interconnected by common themes such as
dreams, labyrinths, libraries, mirrors, animals, fictional writers,
philosophy, religion and God. His works have contributed to
philosophical literature and also to both the fantasy and magical realism genres.
Laura Esquivel
Laura Esquivel began writing while working as a kindergarten teacher.
She wrote plays for her students and wrote children's television
programs during the 1970s and 1980s. Her first novel, Like Water for Chocolate, became internationally beloved and was made into an award-winning film. Her other titles include The Law of Love and Between the Fires.
Gabriel García Márquez
Gabriel García Márquez started as a journalist, and has written many
acclaimed non-fiction works and short stories, but is best known for his
novels, such as One Hundred Years of Solitude (1967) and Love in the
Time of Cholera (1985). His works have achieved significant critical
acclaim and widespread commercial success, most notably for popularizing
a literary style labeled as magic realism, which uses magical elements
and events in otherwise ordinary and realistic situations. Some of his
works are set in a fictional village called Macondo (the town mainly
inspired by his birthplace Aracataca), and most of them express the
theme of solitude.
My creative works blog for my two favorite things to do: cooking and writing. I'll be posting updates about my recipes and culinary experiments. I'll also post updates about my writing ventures. A little bit of everything, because that's what goes into the sancocho pot.
Wednesday, October 15, 2014
Thursday, October 9, 2014
The "Aha" Moment
Lately,
I’ve been thinking about what types of things I look for when I’m reading just
about any piece of fiction. I believe that folks who enjoy reading and do it as
often as they can for the sheer joy of it do so for many reasons, but a key one
is because reading makes us feel a little smarter for a while.
While
reading nonfiction and non-prose writing (like academic stuff) does this just
as easily, readers are already coming in expecting to grow as a person and be a
bit wiser as a result. We aren’t necessarily or actively looking for this
effect when it comes to reading literature for fun. This is why I am especially
delighted to get that same feeling when I read in genres that aren’t typically
meant to exercise the analytical side of my brain.
As
many of you probably know, my preferred genre is fantasy, which isn’t reputed
for its ability to make us turn on our thinking caps. However, one thing I do
find fantasy works well with is those “figuring out” moments. Fantasy
introduces us to whole new worlds, or at least new situations, which we don’t see
in our everyday lives. This one unifying theme of less than probable things occurring
in these stories that wouldn’t normally occur in the real world leads readers
to have to make a lot of assumptions. We assume the people in your world look
like humans, that this eternally dark land is where the villain lives, that
your fierce and fanged beast feeds on the blood of the living.
Because
readers are constantly guessing at things when it comes to fantasy, the fact
that we get something right based on the context writers have given us tends to
bring us great joy and excitement in the prose. We’ve managed to “figure out”
what the author was trying to get us to figure out. Sometimes we even get to
solve puzzles the author may not have even consciously considered. How many of
you caught the ring motif in A Dinner of
Onions by Nora Harmony Wallace, which she claims she never intentionally
included (bonus points to anyone who gets that reference)?
The
danger, however, in writers offering up foreshadowing and other clues and Easter
eggs for the readers is spelling everything out. At that point, readers feel
like the author no longer trusts in their capabilities to figure things out and
that the information is now being handfed to us. As a writer, I want my readers
to be like, “Wow, I figured that out,” rather than “Dude, I totally saw that
coming.”
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